Photographing families – beyond the studio portrait

Last weekend I photographed a young family in their home just outside Brussels. It was the second time in a week that a client had told me: "We want something less formal, more spontaneous."

I had a great time, chatting with the parents, sitting on the floor with the children (aged three and one), and getting really close as they became absorbed in a story or a game. I started shooting the moment I arrived, and in the two hours I was there I don't think I even asked for a head to be turned more than two or three times.

A tripod or a flash would have made it much harder to get the children – and perhaps the parents, too – to relax and be themselves. So I was pleased that there was midday light pouring in through a big picture window. I shot fairly wide open in order to separate my subjects from the background clutter of furniture and toys. But despite that, I had to compromise with shutter speed and ISO, except for the 15 minutes when we went out into the garden.

Technically, the resulting images are not as perfect as those that a studio photographer would have produced. But nor are they stiff or stilted. They capture the personalities of four members of a family on a particular day in the winter of 2017, enjoying one another's company in their own environment. That is, after all, what my clients wanted. And they are super happy with the results.

I'm not posting any images of the children here, because the parents specifically asked me not to publish these online.

 

The event photographer is hungry

On Tuesday evening I covered a reception and dinner at the European Parliament for the European Ceramic Industry Association. There were 100 guests, 7 speeches, 4 courses and I took over 500 pictures in the space of nearly 4 hours.

As always, I met some extremely nice people, including Giuseppe from Bologna. We got talking, and it turned I out I that I had actually visited his tile factory in 1983.

You might think that a European industry get-together would not be much fun. But if you enjoy photographing people as much as I do then it is a sheer delight to spend an entire evening with 100 willing subjects. As I got to know them, some posed, some fooled around and some played shy. Most simply ignored me. Meanwhile, I could take my time to stalk the room, picking my angles and my moments.

I wasn't bored, but I certainly did get hungry. As the evening wore on, one of the waiters took pity on me and brought me some food and wine. I wanted to make a portrait of her but she said she didn't like photographs.

Walking around Brussels

When you walk around London or New York, and probably any other city of more than 5 million inhabitants, you feel as if you were shrouded in an invisibility cloak. As soon as you leave your own front door, you assume anonymity. When occasionally you do bump into a friend, you fling your arms round each other. "What are you doing here?" you both ask. "How small the world is!"

With a population of just over 1 million, Brussels is a big village. I started recognising faces on the street within a couple of weeks of arriving here in 2004. Now, I very rarely go out without meeting someone I know. Social, cultural, professional and local networks overlap and interconnect. Distances are short. Friends knock on one another's doors in the hope of a cup of coffee, but are not disappointed if there is no one at home.

I walk around the city a lot, and I always have a camera with me. I am not sure if the photographs I make count as street photography, which seems to have strict rules. I take pictures of people, but also of buildings, signs, street art, or anything else that catches my attention. Brussels is strong on whacky charm, so there is no shortage of subject matter.

Chaussée de Wavre, Matonge

Chaussée de Wavre, Matonge

Rue de la Concorde, Ixelles

Rue de la Concorde, Ixelles

You can find more of my street photographs here.