natural light

Wedding album

Here in Belgium, weddings are now authorised again, but the number of guests is strictly limited to comply with social distancing measures.

This morning I shot my first wedding since the end of February. Just 16 people were present. The bride’s parents, who live abroad, followed the proceedings via WhatsApp.

I prefer to work without flash whenever possible – flash not only distracts the people in the room from the emotions of the moment, but also renders them in a less authentic way. Luckily there was just enough light to allow this. I particularly liked the gentle backlighting on their faces for the first kiss.

The wedding took place in an old abbey, and the grounds offered a range of possible backdrops for formal and informal photographs. With everybody starting to relax after the heightened emotions of the ceremony itself, I managed to capture a number of good, unposed shots.

Photographing families – beyond the studio portrait

Last weekend I photographed a young family in their home just outside Brussels. It was the second time in a week that a client had told me: "We want something less formal, more spontaneous."

I had a great time, chatting with the parents, sitting on the floor with the children (aged three and one), and getting really close as they became absorbed in a story or a game. I started shooting the moment I arrived, and in the two hours I was there I don't think I even asked for a head to be turned more than two or three times.

A tripod or a flash would have made it much harder to get the children – and perhaps the parents, too – to relax and be themselves. So I was pleased that there was midday light pouring in through a big picture window. I shot fairly wide open in order to separate my subjects from the background clutter of furniture and toys. But despite that, I had to compromise with shutter speed and ISO, except for the 15 minutes when we went out into the garden.

Technically, the resulting images are not as perfect as those that a studio photographer would have produced. But nor are they stiff or stilted. They capture the personalities of four members of a family on a particular day in the winter of 2017, enjoying one another's company in their own environment. That is, after all, what my clients wanted. And they are super happy with the results.

I'm not posting any images of the children here, because the parents specifically asked me not to publish these online.