being a photographer

2021 in review

2021 was another roller-coaster ride for my photographic practice. After 18 months with virtually no corporate contracts of any kind, events and team shoots finally picked up in the autumn, only to come skidding to a halt again in December with the Omicron-induced cancellation of many end-of-year parties. At least I was able to keep the studio open for portrait work throughout the year, unlike in 2019.

Pre-Covid, corporate jobs accounted for around 55% of annual turnover. In 2020 that fell to just over 10%, but by the end of 2021 it was back up to 30%. In March 2020, I had adjusted my online marketing to focus exclusively on portraiture, and portrait work kept me busy throughout 2021 – 75% of it in the studio.

At the beginning of October, I raised my price for all on-location work to €150 per hour of shooting (post-production retouching included), but left the price for studio sessions at €100 per hour. Happily, this adjustment met no resistance from clients, who seemed to understand the rationale for the change.

Clients supported me in other ways, too. Many left positive reviews on my Google listing or on LinkedIn, and repeat business and word-of-mouth recommendations accounted for over a quarter of annual turnover. And 80% of my clients gave me permission to use the images I made for them to promote my services on my website and social media profiles. I understand the 20% who asked me treat their photos as confidential, and have of course respected their wishes. But since showing his work is really the only way a photographer can demonstrate his abilities, I am enormously grateful to the majority who allow me to do so.

My French-speaking clients increased again as a share of the total, and are now about 50/50 with the English-speakers.

Finally, I noticed a couple of trends that are probably due to changes in people’s working and childcare patterns brought about by the pandemic. First, I saw a significant increase in the proportion of clients who initially contacted me by telephone. Second, Wednesday has for several years been the day on which people contacted me most – over 25% of all enquiries. This proportion had already fallen in 2020, but in 2021 Wednesday became the least popular weekday for finding a photographer, with the largest number of enquiries coming in on Fridays.

2022 Calendar

As we approach the end of 2021, it’s once more time to look back and reflect on my year as a photographer. It’s been fantastic, despite the Covid restrictions which prevented any corporate work until the autumn. I’ve delivered 150 jobs, 30% of them from returning customers. I’m so grateful to all my clients for their confidence and for their overwhelmingly positive feedback. It really has been a pleasure.

As usual, I’ve sorted through the tens of thousands of images shot during the past 12 months in order to put together my calendar for the year ahead for family and friends. The photos I shot for clients are included with their kind permission.

Cover

Foire du Midi, Brussels, 13 August 2021
Nikon D850, 50mm f/1.4 lens, 1/250 sec at f/4.0, ISO 64

January

Girl in a hammock, Brussels, 13 June 2021
Nikon D850, 85mm f/1.8 lens, 1/250 sec at f/4.0, ISO 200

February

Brussels 20km race, 12 September 2021
Nikon D850, 300mm f/2.8 lens, 1/1000 sec at f/6.7, ISO 1100

March

Studio portrait of a young woman, 5 March 2021
Nikon D850, 85mm f/1.8 lens, 1/1000 sec at f/2.4, ISO 64

April

Studio portrait of a young boy, 18 October 2020
Nikon D850, 85mm f/1.8 lens, 1/250 sec at f/8.0, ISO 64

May

Birthday party, Brussels, 8 May 2021
Nikon D850, 50mm f/1.4 lens, 1/250 sec at f/8.0, ISO 400

June

Demonstration, central Brussels, 29 May 2021
Nikon D850, 24mm f/1.8 lens, 1/500 sec at f/8.0, ISO 100

July

Brussels 20km race, 12 September 2021
Nikon D850, 300mm f/2.8 lens, 1/1000 sec at f/5.6, ISO 800

August

Green Moon Tribe concert, Muziekpublique, Brussels, 16 June 2021
Nikon D850, 300mm f/2.8 lens, 1/250 sec at f/4.0, ISO 1600

September

Waiting for ice-cream, Rouge-Cloître, Brussels, 20 June 2021
Nikon D850, 85mm f/1.8 lens, 1/350 sec at f/4.0, ISO 64

October

In the gardens of the Palais Royal, Brussels, 12 August 2021
Nikon D850, 85mm f/1.8 lens, 1/250 sec at f/4.8, ISO 64

November

Three friends, late summer eveing, Ixelles, 8 October 2021
Fujifilm X100T, 23mm fixed lens, 1/125 sec at f/2.8, ISO 1600

December

Studio portrait of a young woman, 21 August 2021
Nikon D850, 85mm f/1.8 lens, 1/250 sec at f/2.8, ISO 64

2020 – it could have been worse

I count myself extremely lucky. I have not caught the coronavirus. I have not had to endure confinement alone, or in a tiny apartment. And I no longer rely on my photographic work to pay a mortgage or university fees.

But many others have suffered and are suffering horribly. I’m especially conscious of the difficulties of younger photographers.

2020 didn’t work out anything like I’d expected. Many personal and professional plans had to be abandoned. But I can still find a lot of positives to draw from this year – above all, the rich and intense encounters that I have had with my wonderful subjects. The pleasure that my photographs have given them is the fuel that propels me forward into 2021.

Studio portrait of a young woman

2020 has seen an unprecedented number of jobs cancelled or postponed, sometimes several times. I still have bookings for weddings originally planned during the summer, for which the couples concerned now have tentative dates in 2021. I had two periods of complete shutdown, in April-May and again in November, and no conference work at all (and very little corporate work of any kind) after mid-March. So I lost three whole months out of my year, as well as most of the corporate work that had accounted for 55% of my income in 2019.

Despite that, I delivered nearly 100 contracts, up 15% from the previous year, though revenue was down by 18%. From June onwards I focused my online marketing exclusively towards the private market. In particular, I shot a large number of portrait sessions – income from portrait work tripled compared with 2019. Surprisingly, given the general anxiety about social distancing, over 70% of portrait sessions were shot in the studio, up from 50% the year before.

Saturdays continued to be my busiest working day of the week in 2020, and Wednesdays were still the day on which the largest number of people got in touch for the first time. (I’ve never understood why Wednesday would be the day people are most likely to think about hiring a photographer.) I continued to advertise online with Google Ads. But an increasing number of leads and contracts came from ‘free’ sources, especially from Google My Business and from previous customers. GMB and organic search accounted for nearly 20% of delivered contracts, and repeat business for nearly 25%.

Studio portrait of a man

I improved as a photographer. Of course I did – I learn from every job I do!

More specifically, I finally accepted the advice of my friend and colleague Phil Mortreux (Hire him, he’s a brilliant film-maker and photographer!) that shooting exclusively in RAW would allow me to deliver higher numbers of really top-quality images from each shoot.

Second, I continued to develop my portrait studio. I added a pair of Elinchrom ELC-500 studio lights. These have been a pleasure to work with from the start, and really do give me complete freedom to light my subjects in all the ways I want. And I acquired two gorgeous collage backdrops created by British artist Gail Fox. I cannot wait to start shooting portraits against these in 2021.

Finally, I refined the way I use Adobe Lightroom to edit my images, including the integration of a number of tricks taught to me by Phil Mortreux. (Thanks, Phil!) I have a light-touch approach to post-processing, but Lightroom is critical in enabling me to deliver clean, sharp, colour-balanced image files to my clients quickly.