being a photographer

The photographer's eye

It’s been a lively event season in Brussels, with long days and late nights for conference guests – and for photographers.

Reflections of a gala dinner in full swing, with nighttime Brussels through the window

But it’s essential that no tiredness shows through in the photographs. Images have to be fresh, spontaneous and vital. The responses I’m aiming for are “What a fantastic event it was!” (from those who were present) and “Damn, I wish I’d been there!” (from those who weren’t).

I have a number of techniques to prevent myself from getting stale:

  1. I pay attention to the content. It’s often fascinating (of course, I treat it as confidential), and understanding something of the participants’ interests makes it easier to speak with them.

  2. I interact as much as I can. I smile. I joke, gently and politely.

  3. I accede to all requests. Of course people want posed group photos with their colleagues. When asked to, I retake the same groups with their own mobile phones.

  4. I treat the often horrible lighting as a challenge to be overcome. (Whoever thought hard, vertical spots creating a chessboard of bright light in an otherwise gloomy room would make for pleasant conversation, let alone for flattering photographs?)

  5. I do not turn off my photographer’s eye.

Guests at a dinner event wait for champagne at the bar

The last point is critical, I believe. In the course of a lifetime, I have trained myself to see, and to capture, arresting images. If I restricted myself to fulfilling the letter of the client’s requests – speakers in action, VIPs in front of branded backdrops, ambience, networking, and so on – I would probably respond to them less effectively. Those requests remain my priority. But I allow myself, in addition, to make a few images that please me, but which do not correspond to any client expectation. It’s what keeps me on my toes through the presentations, the dinners, the awards.

After a long day of conference presentations, a participant finds a quiet corner to catch up with his email

The three images here, from three recent events, are examples of this kind of work. I delivered all three, though I was not sure that they would be used or even much appreciated. But the clients concerned keep coming back to me for more, so with luck at least they did not hate them.

2023 Calendar

2022 has been another exceptional year, with great light, lovely people, some exciting new equipment, and a huge variety of work – almost more of it than could be fitted into 365 days. I’m still loving every single job all the way from planning to delivery, still learning something new each time, and still improving my craft.

My calendar for the year ahead, featuring the pick of my images from the last 12 months, has been printed and I have started to distribute copies to friends and family. As a thank you to all my clients, as I’ve done in previous years I’m sharing the selected photos publicly here, with brief descriptions and technical details.

Cover

At an exhibition of my neighbourhood street portraits in Schaerbeek, 24 September 2022. People loved finding faces that they recognised, and sometimes their own.
Nikon Z 9, Nikkor Z 85mm f/1.8 S lens, 1/250 sec at f/2.0, ISO 1600

January

A runner in the Brussels 20 km race, 29 May 2022.
Nikon D850, Nikkor 300 mm f/2.8 lens, 1/750 sec at f/4.0, ISO 1600

February

Studio portrait of a young girl against a white backdrop, Brussels, 11 January 2022.
Nikon D850, Nikkor 24 mm f/1.8 lens, 1/250 sec at f/8.0, ISO 64

March

‘Noir’-style studio portrait of the young Belgian actor, Gianni Guettaf.
Nikon D850, Nikkor 50 mm f/1.4 lens, 1/1000 sec at f/2.4, ISO 64

April

Percussion workshop for primary schoolchildren, Ixelles, 28 April 2022.
Nikon D850, Nikkor 24 mm f/2.4 lens, 1/250 sec at f/2.4, ISO 800

May

Tomato farmer Kris De Weerdt in his greenhouses, Onze-Lieve-Vrouw-Waver, 28 October 2021.
Nikon D850, Samyang 14mm f2.4 lens, 1/250 sec at f/4.0, ISO 200

June

Child playing in the grounds of a Community Land Trust Brussels (CLTB) housing complex in Molenbeek, 26 March 2022
Nikon D850, Nikkor 85 mm f/1.8 lens, 1/250 sec at f/6.7, ISO 64

July

Swedish secondary school graduate, Brussels, 22 May 2022.
Nikon D850, Nikkor 85 mm f/1.8 lens, 1/250 sec at f/8.0, ISO 64

August

A young friend and her newborn baby, Brussels, 25 May 2022.
Nikon D850, Nikkor 50 mm f/1.4 lens, 1/180 sec at f/4.8, ISO 400

September

Folk dance participants, Brussels, 30 October 2021.
Nikon D850, Nikkor 24 mm f/1.8 lens, 1/250 sec at f/2.0, ISO 6400

October

Community Land Trust Brussels (CLTB) resident, Molenbeek, 26 March 2022.
Nikon D850, Nikkor 85 mm f/1.8 lens, 1/250 sec at f/2.8, ISO 800

November

Bassist Denis Van Der Brempt playing at a jazz jam, Loonbeek, 20 May 2022.
Leica Q2 Monochrom, Summilux 28 mm f/1.7 lens, 1/250 sec at f/1.7, ISO 2500

December

Girls at a demonstration

Girls on a demonstration, Brussels, 20 March 2022.
NIKON D850, Samyang 14mm f2.4 lens, 1/500 sec at f/6.7, ISO 1100