Soon after I first came to live in Brussels in 2004 the great street artist Bonom burst onto the city. His enormous creations bloomed regularly on the sides of buildings all over the centre ville — elephants, a human foetus, dinosaurs… If you know where to look, you can still find a few of these artworks, but most have at least been preserved in photographs.
Apart from the town council’s flaccid tributes to Tintin, Spirou and other Belgian comic book heroes, and Pencil Man’s ubiquitous outings, Brussels’ streets have remained relatively artless since Bonom was shut down by an extraordinary and aggressive legal action in 2010.
In September this year a disused Delhaize supermarket on the Chausée de Waterloo was taken over by Strokar, a collective of street artists from all over Europe, to create Strokar Inside, a magnificent collection of works, still in progress, which will premably survive only until the building is torn down or renovated. It’s open from 11.00 to 18.30, Wednesday to Sunday, and entrance is €8,00.
I had a fantastic time. The individual works themselves are impressive, but what I specially enjoyed was the interaction between them and the carcass of the supermarket that they inhabit. If I was the CEO of Delhaize, I would be trying to commission the artists to decorate all my stores.